Reviews

Verbey: Chaconne for String Trio

Emanuel Overbeeke, translated by Eileen Stevens, from www.opusklassiek.nl

'This is one of Theo Verbey’s finest compositions. [...] The piece’s convincing power is also due to the brilliant performance by the three members of the Concertgebouw Orchestra [...] And the music itself is magnificent: fresh, without cheap nostalgia or regression, and of a caliber that triumphantly overcomes any fear of modernity.' – ©Emanuel…

Verbey: Chaconne for string trio, door ©Emanuel Overbeek

©Emanuel Overbeek, from OpusKlassiek

'Dit is een van de beste composities van Theo Verbey.[...] Dat het stuk zeer overtuigt, is mede te danken aan de schitterende uitvoering door de drie leden van het Concertgebouworkest [...] En de muziek is schitterend: nieuw, zonder goedkope nostalgie en regressie, en van een niveau dat de angst voor de moderniteit glansrijk overwint.' – ©Emanuel…

Cappella Amsterdam met bijzondere Stravinsky-avond

Michael Klier, from De Nieuwe Muze

'Cappella Amsterdam, New European Ensemble o.l.v. Daniel Reuss, Zero Dance Theatre. Programma: Igor Stravinsky: Étude pour pianola, Circus Polka voor harmonium en cimbalon, Chorale voor harmonium, Otche Nash (Our Father), Symphony of Psalms (arr. Dmitri Sjostakovitsj voor piano vier handen), Petrushka voor pianola, Trois pièces faciles, Les Noces…

Les Noces met hip hop dance

Neil van der Linden, from Place de l'Opera

Les Noces culmineerde aldus allengs in een pandemonium van klanken dat niet onderdoet voor de wildste passages van een Sacre met alles erop en eraan (vol symfonisch orkest en vol ballet).

Stravinsky’s LES NOCES by Cappella Amsterdam, New European Ensemble and Zero Dance Theatre

Jay Mansilla, from ArtsTalk Magazine

" Built from instrumental force and vocal vigour, Stravinsky’s vision of the wedding is taken up by contemporary performers and expanded through their contrasting disciplines. Cappella Amsterdam, the New European Ensemble, and Zero Dance Theatre bring his work to the stage in its rarely heard 1919 instrumentation, foregrounding Stravinsky’s…

“Theo Verbey (1959-2019) offers a richly romantic, colourful transcription of the Berg […]”

Colin Anderson, from Colin's Column

Wednesday, October 1, 2025 Concert Hall, Helsinki Music Centre, Mannerheimintie 13 A, 00100 Helsinki, Finland The notion of orchestrating a work for piano (or a piece of chamber music), in this case the single-movement Opus One Sonata of Alban Berg, begs the question, why? You may create something that overshadows the original (Mussorgsky/Ravel…

Theo Verbey – Five Pieces for Violoncello

Emanuel Overbeeke, from Opus Klassie

'In his final years, Verbey became more and more a composer of substantial forms with a classical instinct for proportion and with a neo-tonal character, in both harmony and gesture. These five pieces are not what you'd call substantial (the shortest lasts a minute, the longest less than three). But they are unmistakably neo-tonal in the broadest…

BBC Music Magazine review of Stravinsky: Les Noces

Daniel Jaffé, from BBC Music Magazine

"Of all his ballets, Stravinsky’s Les Noces – an evocation of Russian peasant wedding rituals – was the one he laboured over longest as he changed his mind several times about its instrumentation. Here, for the first time, is a recording of the entire ballet-cantata using the line-up Stravinsky favoured but reluctantly abandoned in 1919. [...]…

Stravinsky: Les Noces; Ravel: Boléro review – honouring the composer’s complex intentions

Andrew Clements, from The Guardian

Ensemble Aedes/Les Siècles/Romano An early unfinished version of the 1923 landmark work, completed by Theo Verbey almost 100 years after Stravinsky conceived it, is earthy, lean and superbly performed. [...] "Stravinsky had first conceived the idea of a ballet based on the wedding rituals of Russian peasants in 1913. He completed the short score…

The new music recorded by the Royal Concertgebouw Orchestra gives little indication that a crisis was taking place. ★★★★☆

Guido van Oorschot, from de Volkskrant

"[...] Four youngsters nestle between the perfect beauty of Theo Verbey, who died in 2019, and the funny beauty of Martijn Padding.[...]"

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