31 Jul 2023
Foundation bewaakt nalatenschap van componist Theo Verbey
Oscar Smit, from Oost Online
Wat voor een soort componist was Theo Verbey? ‘Hij voelde zich verbonden met muziek uit het verleden en van het heden. Hij zag zichzelf niet als een componist voor alleen maar de club van moderne muziekliefhebbers. Hij wilde dat zijn muziek werd gehoord door een algemeen publiek.’ In zijn muziek zat altijd wel iets van een melodie. Zijn methode…
14 Nov 2022
Interview with the Chekhov Trio
The Chekhov Trio speak with Eileen Stevens
We appreciate your finding the time to answer a few questions for our readers. The Chekhov Trio is international, with one player from the United States, one from Belgium and one from the Netherlands. That makes inspiring to see how you support and promote the work of Dutch composers like Hans Kox and Henriette Bosmans. How did you first…
11 Sep 2022
Concert door Chekhov Trio in oude Salviuskerkje Limbricht
From Sittard-Geleen Nieuws.nl
"The trios of Chausson and Bosmans will be joined during this concert by the Piano Trio (1999) by Theo Verbey. 'I consider making choices about what you want to do— and on what basis—one of the biggest challenges in composition.' That is what the composer wrote when discussing his process of composing his piano trio. He adapted his material using…
10 Jun 2022
Interview with Juri Vallentin and Trio d’Iroise
- What inspired you to record Ebenbild? And how have audiences been responding to your concerts? The core idea of EBENBILD is to develop a classical music album as a continuous story: We use a Renaissance love poem as our thread, on which a musical narrative unfolds using repertoire from the early 17th century to the present day, with Theo…
14 Jan 2022
A Recording Producer and Sound Engineer looks back on his lessons with Theo
Daan van Aalst, translated by Eileen J. Stevens, from Newsletter of the Theo Verbey Foundation
Recording Producer and Sound Engineer Daan van Aalst remembers Theo Verbey: I began my studies at the conservatory in 1998, with a course in The Art of Sound, a field that I hadn't spent much time with before then. I had grown up in a musical family, and my brother and sister were already at the conservatory. Still, I could not envision myself as…
25 Oct 2021
Essay about Sestetto
Frits van der Waa, translated by Eileen J. Stevens, from Et Cetera
With its distinctive combination of flute, harp, and strings, the sound palette of Sestetto, which Theo Verbey wrote in 1998, seems decidedly French. However, the composer was undoubtedly aware of that fact, and he made an effort in the course of the work’s four movements to counterbalance this aura…
28 Aug 2021
An effervescent tablet in water, Two faces of Theo Verbey’s Inversie
Patrick van Deurzen, translated by Mike Wilcox, from Mens en Melodie
Theo Verbey’s composition, Inversie (Dutch for 'Inversion'), places two groups of instruments in contrast with each other. The division reflects the double character of the material, which is tonal on the one hand and atonal on the other. The inversion of the title – turning upside down and inside out – is played out between the two…
15 Jan 2021
Theo Verbey & Amsterdam Sinfonietta
Noortje Zanen
The Theo Verbey Foundation launched its new website at the beginning of this week. Reason enough for Sinfonietta to delve into its archives in search of recordings and scores of the works that this prominent Dutch composer wrote for Amsterdam Sinfonietta. We look back, along with cellist Maarten Mostert and former artistic coordinator and…
11 Jan 2021
Theo Verbey on Traurig wie der Tod: ‘A composer is primarily a songwriter’
Thea Derks, translated by Thea Derks
Thea Derks interviewed Theo Verbey at the time of the live broadcast of Traurig wie der Tod on Radio4, and here is a written article in Dutch, which she translated into English on the occasion of the launch of the Theo Verbey Foundation: "Theo Verbey on Traurig wie der Tod: ‘A composer is primarily a songwriter’ – Amsterdam, 22 May 2015 The Dutch…
02 Apr 2020
In memoriam Theo Verbey
Ralf Pisters, from Published in the Newsletter of the Dutch-Flemish Society for Music Theory (Vereniging voor Muziektheorie)
On 13 October 2019 Theo Verbey passed away, at the age of 60. Theo was a member of the DFSMT and, especially at the beginning of society’s existence, very involved in the its activities. He meant a great deal for Dutch music theory, above all in his role as a teacher of music theory, arranging and orchestration, a role that he fulfilled at both…
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