Paul Griffiths, from The New York Times

"Mr. Verbey's piece was distinguished by nice junctures where the instruments took over the same note from one another. Perhaps there was an allusion here to the ensemble's name, for the three string tunings the instruments have in common: G-D-A, or sol-re-la, euphoniously reassorted."

The Grammar of Listening

Frits van der Waa, from Brochure, Theo Verbey

In a famous story by the Argentine writer Jorge Luis Borges the Aleph is mentioned, ‘the place where all places of the earth come together, seen from all corners, without merging’. In the music of Theo Verbey one sees the same aspiration to universality. His oeuvre is less staggering and its diameter is less compact than the two or three…

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Essay about Sestetto

Frits van der Waa, translated by Eileen J. Stevens, from Et Cetera

With its distinctive combination of flute, harp, and strings, the sound palette of Sestetto, which Theo Verbey wrote in 1998, seems decidedly French. However, the composer was undoubtedly aware of that fact, and he made an effort in the course of the work’s four movements to counterbalance this aura…

An effervescent tablet in water, Two faces of Theo Verbey’s Inversie

Patrick van Deurzen, translated by Mike Wilcox, from Mens en Melodie

Theo Verbey’s composition, Inversie (Dutch for 'Inversion'), places two groups of instruments in contrast with each other. The division reflects the double character of the material, which is tonal on the one hand and atonal on the other. The inversion of the title – turning upside down and inside out – is played out between the two…

Theo Verbey & Amsterdam Sinfonietta

Noortje Zanen

The Theo Verbey Foundation launched its new website at the beginning of this week. Reason enough for Sinfonietta to delve into its archives in search of recordings and scores of the works that this prominent Dutch composer wrote for Amsterdam Sinfonietta. We look back, along with cellist Maarten Mostert and former artistic coordinator and…

Theo Verbey on Traurig wie der Tod: ‘A composer is primarily a songwriter’

Thea Derks, translated by Thea Derks

Thea Derks interviewed Theo Verbey at the time of the live broadcast of Traurig wie der Tod on Radio4, and here is a written article in Dutch, which she translated into English on the occasion of the launch of the Theo Verbey Foundation: "Theo Verbey on Traurig wie der Tod: ‘A composer is primarily a songwriter’ – Amsterdam, 22 May 2015 The Dutch…

In memoriam Theo Verbey

Ralf Pisters, from The Dutch-Flemish Society for Music Theory (Vereniging voor Muziektheorie)

On 13 October 2019 Theo Verbey passed away, at the age of 60. Theo was a member of the DFSMT and, especially at the beginning of society’s existence, very involved in the its activities. He meant a great deal for Dutch music theory, above all in his role as a teacher of music theory, arranging and orchestration, a role that he fulfilled at both…

Love letter with musical notes written on a post-it

Joep Stapel, from NRC Handelsblad

This obituary in the Dutch paper NRC describes Theo Verbey's fascination for the relationship between sound and numbers. NRC: "As a child, Theo Verbey once put a math book on the piano and started playing. In retrospect, the scene has a symbolic value, because the correspondence between sound and numbers would continue to fascinate him."

A talented radical who became a masterful traditionalist

Bas van Putten, translated by Mike Wilcox, from De Groene Amsterdammer

"Composer Theo Verbey was a talented radical who became a masterful traditionalist, one of the greatest craftsmen Dutch music has ever known" "Theo Verbey was rightly heralded in the 1980s as one of the most talented young Dutch composers. His earliest pieces, including Aura (1985) and Inversie (1987) for ensemble, and Expulsie (1988-1990) for…

Death of leading Dutch composer, 60

Norman Lebrecht, from Slipped Disk

The inventive composer Theo Verbey died on October 13 after a long illness. Having made his name with a widely performed orchestration of Alban Berg’s first piano sonata, he went on to focus on intricate instrumentation in concert works that often proclaimed a historical perspective. His orchestral work, After the Great War, was premiered in the…

Theo Verbey (1959 – 2019) created euphonic music following strict mathematical principles

Guido van Oorschot, translated by Mike Wilcox, from De Volkskrant

"There was a remarkable paradox about the Dutch composer, Theo Verbey: he wrote music according to the strictest mathematical principles but his audience simply heard beautiful sound. It has been announced that Verbey died on 13 October at the age of 60, three days after the Dutch premiere of his orchestral work, After the Great War. He had been…

“Theo Verbey (1959 – 2019) was the favorite of many orchestras,” headlines Trouw

Sandra Kooke, from Trouw

(In Dutch) Twee weken geleden voerde het Residentie Orkest zijn orkeststuk ‘After the Great War’ nog uit in het Amsterdamse Muziekgebouw. En in januari zal het Koninklijk Concertgebouworkest de wereldpremière spelen van ‘Ariadne’. De cd waarop trombonist Jörgen van Rijen en dit orkest zijn werk ‘Lied’ spelen, is net uit. Midden in een druk,…