“Stravinsky’s fascination with the instrument lay in its ability to exceed the human hand[…] A testament to the work’s renewed capacity for connection.”

From ArtsTalk Magazine: “Built from instrumental force and vocal vigour, Stravinsky’s vision of the wedding is taken up by contemporary performers and expanded through their contrasting disciplines. Cappella Amsterdam, the New European Ensemble, and Zero Dance Theatre bring his work to the stage in its rarely heard 1919 instrumentation, foregrounding Stravinsky’s fascination with rhythm, mechanics, and sonic precision through cimbaloms, harmonium, and pianola…” by Jay Mansilla, 22nd January 2026